Description
This study points to the evidence that during Molire’s most creative period in Paris, comedy and ballet were increasingly integrated in a unified spectacle. They are not viewed as competing art forms, but in a natural and complementary relationship. In the evolution of comic form, ballet is seen to offer aesthetic patterns through which comedy comments on characters who themselves, in the cyclic circular rhythms regulating behavior and speech, possess a strong affinity with ballet. Other Theater Books 1986 – Peter Brook/jean-Claude Carriere Mahabharata the History of Mankind 2013 – Nine Ways the Theatre Affects Our Lives: Dramas of Transformation 2009 – Teatro Argentino: La Direccin Teatral En Buenos Aires
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