Description
“Many musicologists and music theorists investigating the music of Einojuhani Rautavaara (b. 1928) explore it through a detailed analysis only on the syntactic level, leaving the semantic content aside. Such an approach…needs to be complemented by an understanding of its wider cultural context. The present study attempts to fill this gap by focusing on five instrumental compositions whose titles refer to angels. …The aim is to explore the link between musical phenomena and their extramusical references both in the case of the individual works and in the composer’s general aesthetics.” -Wojciech Stepien (Preface)
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