Description
This collection of essays examines Irelands literary canon in light of The Field Day Anthology of Irish Writing and Irish identity at the turn of the century, contextualizing its readings within the understanding that The Field Day Anthology has crystallized discussions of literary value, canonicity, political agency and Irish identity because of its agenda and the ensuing controversy surrounding its publication. Yet, while The Field Day Anthology constitutes the occasion for writing, the collection also moves beyond it to suggest new models for reading and evaluating Irish literature and identity in the new century. The essays in the collection examine the canonical status of writers such as Joyce, Yeats and Beckett; how postcolonial theory and criticism have reshaped the boundaries of Irish studies; and how womens writing has challenged canonicity as a concept.
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