Description
Examination of Eliot’s major contributions to verse drama and his adoption of dramatic methods to express his maturing religious beliefs in his plays. Explores Eliot’s movement from presenting saintly solitude as the path to spiritual renewal, to offering communal affirmation as an equally viable avenue to peace with self, society, and God. Treats Eliot’s biographical and theological development, emphasizing the philosophical and theological convictions influencing his plays. Studies the development of his use of characterization, verse technique, and elements of stage craft within the thematic movement from solitary suffering to communal affirmation, and from love that betrays to love that redeems. Other T.S. Eliot Books 1999 – A PHILOSOPHICAL STUDY OF T. S. ELIOTS FOUR QUARTETS 1995 – Religious Quest in the Poetry of T. S. Eliot 2011 – Development of T. S. Eliots Style From Poetry to Poetic Drama: Dialogism, Carnivalization, and Music
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