Description
This study argues for a broadened approach in understanding Solovyov’s Sophia , reading her against the background of Dante’s presentation of Beatrice. It re-examines a reading of Sophia by early 20th century Russian symbolists, who conflated her figure with those of Beatrice and the Virgin Mary, as representatives of the archetypal feminine. Our work finds this symbolist approach to be a mis-reading of Solovyov, for this approach show clears participation in romanticism , particularly on the theme of love and androgyny, and in aesthetics. For him, romanticism also meant rejection of personification. For romantics the lady, as object of love, is historical, or literal. Symbolists, on the other hand, apprecicated symbols and (allegorical) personification. Even so, in practice, Solovyov accepted personification of Sophia , as an implementation of the Theurgical task of incarnation of the divine in mortal, bodily reality.
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