Description
“[T]he thesis of this volume is that the diametrically opposed forces of the traditional and progressive live together in Puccini’s music, embedded deeply within his harmonic constructs and in many musical parameters. The author hopes that the observations set forth in these pages will help frame Puccini studies in a way that helps to reconcile previously contentious issues.” -Deborah Burton [Introduction] This book was originally published by Pendragon Press in 2012.
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