Description
This book dismantles key misconceptions about the Spanish Romantic period, such as its supposed timidity and conservativism, or exceptional hostility to Victor Hugo. Instead, it stresses the strength of Liberal and Progressive ideas, and the presence of innovative literary writers. It does so through a parallel examination of political and literary thought. The study concludes with an analysis of important experimental works by Espronceda, Alvaraz, and Ros, and includes the first major account of the highly inventive poet and theorist of fragmentation, Ovejas.
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