Poetics of Loss in the Cantos of Ezra Pound: From Modernism to Fascism

Description

This book examines how the modernist poetics exemplified in Ezra Pounds epic poem The Cantos are unavoidably bound-in with the ideological forces underpinning his advocacy of fascism. By highlighting Pounds reliance upon a poetics of loss, the books close-readings of The Cantos trace his poetic development from modernism to fascism. It starts with Pounds assertion from the end of The Cantos That I lost my center / fighting the world. To counter such a modernist sense of lost culture and ruined history, however, The Cantos relies, paradoxically, on modernist strategies of poetic fragmentation and dissociation. Because Pounds poem thus confirms the very loss it seeks to eradicate, the book argues that his developing poetic language throughout the poem tends increasingly towards fascism. In following this development, the book provides extended analyses of sections of the poem often overlooked by critics The China Cantos and The Adams Cantos as well as new and challenging readings of sections of the poem, such as the The Malatesta Cantos and The Pisan Cantos that are more familiar to readers of Pound. Overall, it argues that Pounds reactionary urge to redefine a lost culture, coupled with his sense of the textual annihilation of a validating poetic center, is the cultural ground upon which his ideal of the fascist republic rests.