Description
The editors brief introduction observes that George Eliots interest in psychic framing and distortion of individual perspective provides a productive means of understanding how her novels mediate relations between self and community. Opening with Barbara Hardys The Woman at the Window, the collection moves toward other types of mediation, such as the narrative syntax of gossip (explored by Joanna Barszewska Marshall), the authors use of free indirect style (examined by Siward Atkins), and the rivers of passion and time in The Mill on the Floss (traced by Felicia Bonaparte. Nineteenth-Century Literature (march 1998)
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