Description
Explores the theatrical self-reflexivity in early modern drama in terms of themetatheatrical critical perspective advocated by Lionel Abel, James L. Calderwood, Richard Hornby, and Judd D. Hubert, to name just a few. Some early modern dramatic works display unflagging excavation and disclosure of the dramatic art itself. Their self-conscious exploration of the nature and function of dramatic art gives us a chance to reconsider the dramatic medium.
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