Description
A new narrative on the writers who paved the way for the modern goddess movements. Utilizing themes of both the occult and magic as well exposing previously undiscovered parallels between the three writers, this book identifies how the advent of the feminine divine enabled men to confront their woman centered rage through embracing a modern form of goddess worship in order to soothe their psychological wounds. This book locates a literary study of the goddess in Lawrence, Fortune and Hughes within a narrative in which some modern men try to confront their yearning anger toward women by embracing goddess religion. The author argues that his chosen writers each helped this narrative to emerge, The book (a) offers Lawrence readers a new angle on his preoccupation with the goddess; (b) introduces Dion Fortune (virtually unknown outside her cult following) as an important twentieth century writer on marginality and sexuality; and (c) shows how Ted Hughes narratives of the suffering goddess (in Gaudete and Shakespeare and the Goddess of Complete Being especially) relate forwards to his own Birthday Letters and backwards to Lawrences Lady Chatterleys Lover. The author also takes magic and the occult as a theme linking the three writers. In doing so he aspires to place his book in the company of other texts which have also taken the occult in modern literature for their subject.





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