Description
This work is a compendium of perceptive analyses of his output and includes essays by well-known critics such as Gemma Roberts, Jos Escarpanter, Elsa Martnez-Gilmore, Guillermo Schmidhuber, Mariela Gutirrez, Daniel Zalacan, and several others. The collection is prefaced by a lengthy study which clarifies the writer’s place within the larger spectrum of Cuban theatre. A detailed interview with the playwright and a highly informative personal essay written by his wife, critic Yara Gonzlez-Montes, provide insight into his creative persona. In Spanish.
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