Description
This study investigates the literary program of Horaces Odes as part of the Callimachean traditions emphasis on brevity, novelty, and refinement, as well as a familiarity with a critical vocabulary, formulated at Rome and mirroring the programmatic imagery and terminology pioneered at Alexandria. It begins with a preliminary analysis of the Satires, and discusses the meta-literary aspects of both the Satires and the Odes.
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