Description
This book examines three common types of dramatic communication as cultural objects in light of its historical, social, and cultural context. After considering the critique of the classic foundations of Western aesthetic theory and the collapse of the grand narrative, the book explores the contributions of linguistics, hermeneutics, Theodor Adorno, and the School of Frankfurt to the study of Aesthetics. The work not only demonstrates the relevance of these theories in the analysis of cultural products, but also the significance of linking art to its social and historical reality.
Reviews
There are no reviews yet.