Description
The work focuses on what led to the establishment of the unheroic in Victorian opera. It focuses sharply on two instrumental factors that gave rise to the unheroic; middleclassness and Victorian ideas on the morality and immorality of music. An interdisciplinary examination of the literary, musical, and sociological aspects of the works written for the Victorian lyric stage. It presents a vivid picture of the 19th century English lyric stage and provides a framework for this study by examining some of the 17th and 18th century forerunners of the Victorian operatic repertoire.
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