Description
Introduces a new general theory of dramatic form, together with a detailed, practicable method for the analysis and critical understanding of plays and screenplays. The author proposes that any play or screenplay can ultimately be understood as conforming to one of just seven dynamic types, and that knowledge of the kinetic and modal signatures of these skeletal `plots’ provides the key for decoding the metaphorical significance of a drama’s action and imagery. Examples range from ancient Greek drama to modern opera libretti to contemporary film, and from acknowledged dramatic masterpieces to more popular works. Will help drama professionals and students better grasp a work’s conception and intention, and help the non-professional audience better understand a play or movie.
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