Description
“In examining the personae adopted by Dickinson when writing to her most important correspondents, Lambert traces her maturation as a poet. But more importantly, he studies the unusual links between her letters and poems, identifying poetic sources within her prose, and at the same time recognizing and naming the poet’s unique practice of incorporating unrhymed metrical verse, finished poems, and “semi-poems” into the context of her letters. . . . Lambert acknowledges the integral, organic nature of the poet’s experimentation, and honors Dickinson’s creation of an idiosyncratic art form.” – Polly Longsworth
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