Description
Explores diseased and mortified bodies in English Renaissance plays usually critically dismissed as gratuitous, decadent, or sensationalistic, and considers the signifying capability of these bodies within the plays, to account for the plays’ ‘horrific’ qualities. Offers psychoanalytic reading of the madness, ghosts, death and violence. Other Renaissance Studies Books 2011 – Role of Venetian Renaissance Painting in John Ruskins Utopian Theories. A Sociopolitical History of Art 1991 – Aristotelians of Renaissance Italy 1991 – Sexuality and Politics in Renaissance Drama
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