Description
This work attempts to recapture the fluid relationship between ethics and such institutions as faith, politics and literary art not seen, according to the author, since the time of Muhammad. By exploring the narrative that Muhammad employs in the Qur?n , the author works to reestablish the relationship and prove that if todays Arab-Muslims still deem Muhammad the ethico-political and religio-artistic model to emulate, as he has been in the past, it is because he relates art to life.
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