Description
This study provides a fuller account of Bruckners early and middle years than has hitherto been available, and supplements the more accessible information about his years in Vienna by drawing on a rich source of material in contemporary reviews of performances of his works, comparisons between him and Brahms, and the well-documented accounts of hostility between the conservative pro-Brahms faction (represented by Hanslick, Kalbeck and others) and the progressive pro-Wagner and pro-Bruckner faction (represented by the Schalk brothers, Ferdinand Lwe and Hugo Wolf).
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