Description
This interdisciplinary study examines the formal experiments of Wordsworth’s 1805 Prelude in light of late nineteenth- and twentieth-century theories in neuroscience. To historians of science, the study argues that the central paradigms of dual-brain theory were advanced as early as 1805 in Wordsworth’s experimental verse on the growth of his own mind. For literary critics, this study suggests ways of applying theories from neuroscience to the reading of literary texts. The study seeks to articulate a shared psychology at the center of the revolutionary poetics of the Romantics, also examining Coleridge, Blake, and other British poets.
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