Description
Part one of this study presents a general discussion of a new theory of the tragic, an outline of the history of tragedy, and the methodology. Part two contains interpretations of Grillparzer’s ten completed dramas with regard to their tragic nature and to fate and guilt concepts in particular. The third is a summary, a general discussion of Grillparzer as tragedian, and a proposal for solving the dilemma experienced by many interpreters in this context.
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