Description
The study reconstructs the Italian protohistory of Odessa, founded in 1794 by the immigrants from Genoa and Naples, Venice and Palermo. For the first time and upon the lengthy and elaborate archival research in Italy and Ukraine, the Odessa of Alexander Pushkin and Anna Akhmatova, battleship Potemkin and Eisenstein, Babel and Kandinsky enters European historiography as a world of the dynasties of De Ribas and Frapoliies, Rossies and Bubbas, Bernadazzies and Riznich, Molinaries, Iorini et al. Having revised the narratives of the Tzarist, Soviet, pre- Perestroika and post- Communist past, the monograph not only reclaims the first Italian settlers, but examines the process of forging Europeanness, a cultural identity beyond the traditional East and West, nation and people. European culture has been notably influenced by Italian civilization, and Odessa is one of the important manifestations of this phenomenon. The book places this 18th century Italian migration to the Black Sea into various contexts: the ancient Porto-Franco, the 12th-14th century Crimea, the persecution of Jesuits and Jews, Risorgimento and Romantic Europe. It challenges the post-modern concept of colonialism by presenting the colonial Other through history and philosophy, semiotics and architecture, history of art and musicology. This history of Odessa not only reveals the neglected European past, but also imagines the future of the European continent, explaining the role of migration and mechanism of cultural transport.





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