THE ESOTERIC MUSICAL TRADITION OF FERRUCCIO BUSONI AND ITS REINVIGORATION IN THE MUSIC OF LARRY SITSKY: The Operas Doctor Faust and The Golem

Description

This study explores an elite esoteric tradition of music composition, transmitted to succeeding generations by practicing musicians with an avid interest in the occult. Motivated by a conception of music as an agent of transcendence, this tradition has been most clearly articulated by Ferruccio Busoni as Junge Klassizitt , or Young Classicality. The core ideas of Busonis Junge Klassizitt have been passed from teacher to pupil in the manner of esoteric school, and encrypted as symbols within original compositions. One inheritor of Busonis esoteric legacy was the Australian composer Larry Sitsky, a composition student of Busoni via Egon Petri. Building on existing research into the esoteric nature of Busonis Junge Klassizitt , this study traces the passage of the esoteric tradition along the Budoni-Petri-Sitsky line. It outlines a new, living and evolving tradition born from Sitskys reinterpretation and revitalization of Busonis model. Within the Busoni-Sitsky tradition of orientation of Junge Klassizitt remains unchanged but has flowered into new esoteric manifestations. To further elucidate this tradition, this study examines the two major operas it has generated: Busonis Doktor Faust and Sitskys The Golem . It is demonstrated that the traditions core ideas are transmitted through these operas as encrypted symbols, awaiting future decipherment. This work will appeal to scholars of music history, pedagogy, and composition, as well as scholars of Australian music, Busoni, Sitsky and Western esotericism.