Description
This study argues that the often-noted resistance to interpretation by these authors experimental fiction has to do with the radical functioning of metaphor in their texts. After an introductory discussion about the contemporary debates about metaphor and narrative, she examines each authors work in various theoretical contexts such as cognitivist models, deconstruction, modernism and post-modernism, concentrating on a number of narrative strategies which she groups under the term piracy. The conclusion situates the metaphoric narrative in relation to the competing literary critical paradigms of postmodernist fiction.
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