Description
Examines in depth the great Spanish novelist’s turn to the stage in 1892 and his simultaneous shift in approach towards the roles of women in society. Particular attention is paid to the creation of and compromise involved in Galds’ dramatic debut, Realidad, which marks a significant turning point in both artistic and ideological terms. Analyzes through the contemporary drama of “the first period” the subsequent evolution of “la mujer nueva” on stage. All the relevant manuscripts, correspondence, and reviews available in the Casa-Museo and the Biblioteca Nacional have been studied in order to present as complete a picture as possible of this crucial phase in Galds’ career. Other Theater Books 1984 – Diamond, Though Set in Horn – Philip Massinger’s Attitude to Spectacle 2004 – Curriculum, Training Methods and History of a Competitive Improvisational Comedy Company: Comedy Sports 2009 – Lo Positivo / the Right Track: A Play by Manuel Tamayo Y Baus
Reviews
There are no reviews yet.