Description
This thematic study is the only in-depth investigation into the fictional and testimonial literature of Amanda Labarca Hubertson, Chilean educator, reformer, and promoter of womens rights. These imaginary writings include such little-known works as her semi-autobiographical novel, En tierras extraas (1915), the short novel, La lmpara maravillosa (1921), the collection of short stories entitled Cuentos a mi seor, the testimonial Meditaciones and Meditaciones breves (1928-1931), and the marginal journal fragments, Desvelos en el alba (1945). A preliminary chapter also addresses the controversy surrounding her published literary thesis, La novela castellana de hoi [sic, 1906]. The study corrects some interpretive errors regarding earlier scholarship on Labarcas perceived feminist writings by examining the sexual (gendered) complexities that imprint themselves in Labarcas fictional work and literary criticism. While she may be criticized for omitting any materialist analysis of power, in her literature Labarca attempted to effect change in the social order by pointing out its contradictions. Paradoxically, a close reading of Labarcas dangerously contradictory and yet amorous inner landscape recovers not only her desire to feminize patriarchal culture. It also uncovers a more true self struggling between dispersion and continuity, as she claimed throughout her extensive life and career.





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