Description
Examines the fictional worlds of Chekhov and Maugham (with their enormous resistance to abandoning the traditional myths about women) as symbolic responses to the changing culture. The purpose of this semiotic enterprise is to disclose the regrettably simplistic interpretation of the Other and the potential for violence that the seemingly innocent fictional signs carry. It is also to challenge the pervasiveness of the dangerous myth that involves interpreters of culture, myth and song.
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