Description
This study examines, contextualizes, and evaluates the significance of contemporary Mexican filmmaking, focusing on the so-called cine nuevo of 1989-1999. Accordingly, the study is divided into three sections, representing the key generic discourses that frame the films narratives and underlying aims: The first analyzes contemporary Mexican cinemas re-presentation of history on the cinematic screen; the second part of the book examines the rise in the number of women directors, comparing it with the previous lack of female participation within the filmmaking arena; the last section explores the re-location of cinematic geographies in contemporary cinema.
Reviews
There are no reviews yet.