Description
This study of Rudolf Laban, pre-eminent dance theorist of the twentieth century, provides the first comprehensive analysis of his theoretical explorations. Based upon an examination of unpublished writings and drawings from the final two decades of Labans career, the work traces Labans systematic integration of various strands of research and delineates how he used harmony as an analogic metaphor to illuminate the deep structure of dance and movement. This book contains thirteen color photographs.
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