Description
This study examines the social and cultural causes of the decline in political theater in Venezuela during the second half of the twentieth century. The author focuses primarily on the following representative plays: La trampa de los demonios (1977) by Csar Rengifo, La guerrita de Rosendo (1976) by Gilberto Pinto, La farra (1974) and La empresa perdona un momento de locura (1978) both by Rodolfo Santana.
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