Description
One of the first studies to address positively the controversial subject of Saint Bernard of Clairvaux and the influence he exercised on the arts of his time. Until now Bernard’s aestheticism in conjunction with his monastic commitment has been neither precisely defined nor successfully understood. The principal sources for this study – a formulation of a Bernardine theory of art – are the works of Saint Bernard: his letters, treatises and sermons.
Reviews
There are no reviews yet.