Description
The study presents the most comprehensive analysis of the descent to the underworld in Modernism. The work shows that the nekyia was the single most important myth for the Modernists writing between 1895 and 1946. It focuses on necrotypes, symbolic images typically found in association with descent to the underworld. It also takes an interdisciplinary approach to the subject, with chapters on the nekyia in film, science, psychology, and painting. It pays careful attention to the multicultural sources for the myth Egyptian, Mesopotamian, Greco-Roman, Judeo-Christian, Celtic, Norse, and Native American. This is a courageous and broadly-sweeping study of many key literary and artistic figures of a crucial half century of creativity in Europe, England, Ireland and the United States . . . . Smiths study is not simply a survey, but a study in depth, in descent, and in a kind of scholarship that is remarkably free of the current horizontal jargon of literary theory. . . . The books interdisciplinary flavor makes such a study an excellent resource not only I showing the confluence of various disciplines but a model for how interdisciplinary studies can be used to see the larger whole of work rather than the narrow confines of a particular agenda. Dennis Patrick Slattery





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