Description
This study explores the work of Leonardo da Vinci with the aim of developing a concept of creative production, It argues that the conditions of a truly creative practice require an imaginative re-working of the real so that new and unforeseen realities can emerge. Studying Leonardos notebooks and sketches, where a cross-pollination of theory and practice abounds, it shows that creativity is critical power that operates in between the real and ideal, confounding the clear-cut distinction between them.
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